Maggie Gyllenhaal's movie is a scrappy feminist take-off on the "Frankenstein" myth that could have used more storytelling juice.
Maggie Gyllenhaal’s new film follows a long history of men reanimating women ...
The Bride!, a modern retelling of The Bride of Frankenstein, takes massive swings in terms of performances, plotting and subtext, but not all of its gambles pay off.
Jessie Buckley plays both undead Mary Shelley and the gun moll her spirit possesses in a riot grrl take on the 1935 Bride of Frankenstein.
Peter Sarsgaard, Penélope Cruz, Annette Bening and Jake Gyllenhaal also appear in this punk-rock exhumation of a character only briefly introduced in Mary Shelley’s novel.
Jessie Buckley commands Maggie Gyllenhaal's 'The Bride,' but the feminist horror movie is both conspicuously DC-coded and bizarrely behind the times.
She doesn't miss a single detail!
This year’s potential backlash victim, Jessie Buckley of “Hamnet,” is a different story. In Gascon’s case, the backlash was ...
Maggie Gyllenhaal’s “The Bride!” is a big, brash swing at a new “The Bride of Frankenstein” that struggles to cohere its many parts. But it’s alive, writes AP Film Writer Jake Coyle in ...
Despite its lofty goals, a disjointed story structure and grating sensibility make the film more irritating than insightful.
The Bride is a spectacular, wonderful, fascinating mess.
Clare Barron’s “You Got Older” is a rare play about a good dad. Wallace Shawn’s “What We Did Before Our Moth Days” is ...
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